Sunday, July 18, 2010

Inception: A Smart movie for Stupid People


Do you ever dream something so completely, you even remember (or think you remember) the words written in a note within the dream? You could smell the fresh cut summer grass, or hear the thunder rumbling in the distance...as if it was slowly creeping up on you? After this epic dream, which included a fabulous car chase, a zero gravity fist fight- and the longest plunge from a bridge in recent memory, did you wake to find that you couldn't quite remember the intricacies of the plot-but you know that you understood it as you watched it?

If you did just that, then you have just seen the movie "Inception." The latest from Christopher Nolan, the man behind the "Dark Knight" as well as "The Prestige," this 190 million dollar love child delivers on every level. (Hey, if you just made approx 533 million with "The Dark Knight" you would be able to do your dream project at Warner's too.)

The story centers on Leonardo DiCaprio who stars as Dom Cobb who is a thief with a very particular set of skills. Who invades people's minds and steals ideas fro them. Sometimes these ideas are worth hundreds of millions of dollars, and from the way he has talked about it may have changed history. The way he accomplishes this is by creating a dream that he inserts the subject into...then he and his team steal the idea.

This time around he is hired to plant an idea in someone's head, quite a different proposition than just stealing ideas. This is known as "Inception." Cobb surrounds himself with a team of people who all have specific skills, such as Ellen Page who plays Ariadne, or "The Architect" of the dreams. Arthur is played by Joseph Gordon Levitt, and he is the mercenary-type..the muscle within the dreams. They hire a person who can imitate other people within dreams named Eames. All of these people play a part in a heist to plant an idea into a young industrialist's head after his father's death. The monkey wrench in the whole thing is that this will be Cobb's last job--if he completes this he will be able to return home and see his children. He also is wrestling with his past in the form of his wife, who is no longer alive. She invades the dreams and causes problems throughout the movie.

Suffice it to say that this is a hard movie to describe...but there is really no need to, as all you have to do is sit through it to understand the intent and intricacies of the plot. The story and pacing are spot-on...just when you are ready to move on, the story moves forward, and never once did I find any of the explanations of how the team was to work inside the dream world as boring or contrived. To top it all off, the performances by each of the actors is fantastic. There is a reason why Leo is a leading man, and he demonstrates it in this film very well. The set design is fantastic, and the set-pieces are very well done...a zero g fist fight being a highlight.

The subtlety of the music cannot be emphasized enough in this movie either. Hans Zimmer is hit or miss for me, but in this film he nails it perfectly. The music captures the right blend of urgency drama and use of technology and as such becomes an integral part of the film.

If you want to be challenged by a movie, this is the one. If you want to go and turn off your brain, then you might want to avoid this one...but still...the themes and mechanics are explained in such a manner that you can understand them within the context of the film. Just don't ask me to describe any specifics about it...as I don't even really remember how I got here......Where is my totem?

Monday, July 12, 2010

Predators. Or: How I Stopped Worrying and Learned to Love Adrien Brody's Nose


The most amazing thing about the movie "Predators" is Adrien Brody's nose. It seems to have taken on a life of it's own in the film. Oh sure, the movie is interesting enough, but I can't......stop......watching......Adrien Brody's Nose.

The film opens in a clever manner as we meet Brody's character "Royce." He is falling through the sky at an alarming speed. He has been jettisoned out of an airplane and has to figure out how to open his chute. It is a rather tense opening to what is otherwise a lackluster film that plods along from set piece to set piece. For the first thirty seconds I mused whether or not his nose whistled with all of the air rushing past it-much like a bottle would if you held it outside of a car window at just the right angle as you drive. Then he opened his chute and that thought was interrupted. It would have happily entertained me for the next hour and twenty minutes.

Once on the ground, we learn that he is not the only one who has been dropped into this situation as he soon meets an ex-Chechnyan freedom fighter, and African tribesman and Danny Trejo. Oh, don't forget the convict, the hot sniper chick, the obligatory Yakuza and Topher Grace. Soon enough they figure out that they must work together to survive, putting aside all of their differences as they walk through a few poor set pieces to get to the real star of the movie: William Shatner---I mean Laurence Fishburne. He plays a scavenger who has apparently lived on the planet for several years...who talks like William Shatner...and looks like William Shatner.

Inexplicably, the seasoned scavenger falls prey to a Predator by being loud...and the bad set pieces continue....until one of the most badass moments of badassery in film history happens. The Yakuza ends up with a Samurai sword and fights a Predator. Yes, Samurai Vs. Predator. I don't care what any of you say, the image of a Japanese guy with a Samurai sword facing off against a Predator is one of the most incredibly awesome things I have ever seen. Was the fight memorable? No. Was the movie memorable? Not particularly....but that fight was just too cheesy cool for words.

After that, it was a haze of images and gunfire 'til Royce (who turns out to be a Mercenary, and conveniently grows a heart to save the hot Spanish chick) covers himself in mud and defeats the final Predator. Most of the time I just couldn't stop staring at Brody's nose...it was amazing...it was firing weapons, speaking dialogue...doing everything a normal nose can't.

So, to sum up "Predators" in a few lines: It was "The Most Dangerous Game" with Predators and Adrien Brody's nose-with a cameo by Laurence Fishburne doing a William Shatner impression, followed by a Samurai fighting a Predator.
It was an excellent bad movie.
What do you expect from a Director named Nimrod Antal?